MARTIAL ARTS DICTIONARY
Format Transliteration Bibliography Nihongo Kanji Glossary
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まごでし
Mago Deshi
Glossary Category: Budō/Ranks & Titles , Shinjinbukan/Philosophy
Lit. A disciple of a disciple. In traditional Martial Arts, it is typical for masters to teach their deshi (disciples), as well as the deshi of their deshi, who are known as mago deshi. In the Shinjinbukan School, this approach has been used to ensure the preservation of the traditions and knowledge of Onaga no Ti. Therefore, mago deshi will often be taught with the same depth and intensity as Onaga Kaichō's own deshi.
See Sensei, seito, Uchi Deshi , Deshi , Onaga no Ti
まえ
mae
Glossary by Category: Okinawa Karate Dō/Commands
Lit. Front.
まえに
mae ni
Glossary by Category: Okinawa Karate Dō/Commands
Lit. Ahead, before, ago. It is used as a command during drills to indicate: "move to the front".
まえにみて
mae ni mite
Glossary by Category: Okinawa Karate Dō/Commands
It is used as a command during drills to indicate: "look to the front".
まえのてん
mae no ten
Glossary Category: Shinjinbukan/System
Lit. Front point. Mae no Ten is the front point of a triangle which is marked by the positions of the feet. The body moves through Mae no Ten or front point as it changes sides or flanks. The center axis of the body is maintained at all times, and the motion is generated from the hip rotation rather than from the feet marking the triangle. The study of Mae no Ten is an essential step towards understanding Tenshin. For example, in a Jigotai Stance, in order to change flanks (left and right flank), the feet could pass through Mae no Ten.
See ushiro no ten , mae no ten (photos)
まえげり
mae geri
Glossary Category: Okinawa Karate Dō/Techniques
Lit. Foot strike to the front. In sports Karate it is called: "front kick".
マチワラ
Machiwara
Glossary Category: Shinjinbukan/Syllabus
Lit. Striking or punching board. Machiwara is part of the Ryūkyū Martial Arts tradition known as Okinawa Ti. Machiwara training requires a high level of skill, coordination, muscle control and breathing techniques. This type of training should only be carried under the direct supervision of a qualified instructor. Any misuse of the Machiwara can cause serious injuries.
There aree three types of Machiwara used and taught at the Shinjinbukan School:
— Tachi Machiwara (Standing Machiwara),
— Ti Machiwara (Handheld Machiwara)
— Sagi Machiwara (Hanging Machiwara)
In general, the term Machiwara normally refers to the Tachi Machiwara.
Machiwara training is widely misunderstood as a method of hardening the knuckles. However, this notion is totally wrong. Another misconception is the use of a "wall makiwara", a solid punching target placed flat agains the surface of a wall. In the Shinjinbukan School, this is considered a complete misunderstanding of the principles of Ti .
See Makiwara , Tachi Machiwara , Ti Machiwara , Sagi Machiwara
マキワラ
Makiwara
Glossary Category: Shinjinbukan/Syllabus
Lit. Striking or punching board.
See Machiwara
ますぐ
masugu
Glossary Category: Shinjinbukan/System
Lit. Straight line, direct, upright, erect, honest, frank. It describes a movement in a straight line, or a body alignment.
まつばやしりゅう
Matsubayashi Ryū (alt. Matsubayashi Ryuu, Matsubayashi Ryu)
Glossary Category: Okinawa Karate Dō/Ryūha
Lit. The Pine forest style. The style of karate founded in Okinawa by Master Nagamine Shōshin. The same Chinese characters could be pronounced either Shōrin Ryū or Matsubayashi Ryū. Therefore, Nagamine’s style is also known as Shōrin Ryū Matsubayashi or Matsubayashi Ryū.
See Nagamine Shōshin , Shōrin Ryū (2)
まわし
mawashi (1)
Glossary Category: Budō/General Terms
Lit. Sumo loincloth.
まわし
mawashi (2)
Glossary Category: Budō/General Terms , Okinawa Karate Dō/Techniques
Lit. Round, game, revolve, go around or circumference.
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まわしげり
mawashi geri
Glossary Category: Okinawa Karate Dō/Techniques
Lit. Round kick. Used more for sports sparring.
まわって
mawatte
Glossary by Category: Okinawa Karate Dō/Commands
Lit. Turn around.
め
me
Glossary Category: Okinawa Karate Dō/Anatomy
Lit. Eyes.
め、あし、て
me, ashi, te
Glossary Category: Shinjinbukan/System
Lit. Eyes, feet & hand. In the Shinjinbukan School, the sequence "me, ashi, te" is taught as a method of coordinating the eyes, feet and hands during every technique.
めいぶかん
Meibukan
Glossary Category: Okinawa Karate Dō/Ryūha
The Gōjū Ryū School founded by Yagi Meitoku Dai Sensei.
みち
michi
Glossary Category: Budō/Philosophy
See Dō
みぎ
migi
Glossary by Category: Okinawa Karate Dō/Commands
Lit. Right Hand side.
みみ
mimi
Glossary Category: Okinawa Karate Dō/Anatomy
Lit. Ear.
ミヤギチョウジュン
Miyagi Chōjun (alt. Miyagi Choujun, Miyagi Chojun)
Glossary Category: Okinawa Karate Dō/Masters
Miyagi Chōjun Dai Sensei (1888 — 1953) was the founder of Gōjū Ryū Karate in Okinawa. He was a student of Kanryo Higaonna (1853 — 1915), under the Naha Ti Tradition.
See Gōjū Ryū
みやぎちょうじゅんせんせいのよびうんどう
Miyagi Chōjun Sensei No Yobiundō (alt. Miyagi Choujun no Yobiundou, Miyagi Chojun no Yobiundo)
Glossary Category: Shinjinbukan/Syllabus
Miyagi Chojun Sensei’s warm up excersise. A set of body conditioning exercises created by Master Miyagi Chōjun, the founder of Gōjū Ryū. This collection of excersise is commonly known as Yobiundō. Many traditional Schools practice Miyagi Sensei's Yobiundō, because it provides the body conditioning for training Ti. In the early days of Karate, beginner students in Okinawa were required to practice Yobiundō exclusively for hours at a time during the first few years of training. Miyagi Sensei's Yobiundō is a required training method at the Shinjinbukan Honbu Dōjō.
See yobiundō
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みやもと むさし
Miyamoto Musashi
Glossary Category: Budō/Masters
Miyamoto Musashi (1584 — 1645) was one of Japan's most legendary Samurai and the founder of the Ni Ten Ichi Ryū School of Sword fighting. He is also well known for the Gorin no Sho (The Book of Five Rings). Eventhough there is no historical evidence that Musashi was the author the Book of Five Rings, it is commonly attributed to him. Numerous books and movies have been inspired on his life. According to several sources, Musashi was undefeated in combat during his lifetime. However, based both on historical accounts and oral traditions, it is hard to separate facts from fiction regarding his life.
Miyamoto Musashi's philosophy has inspired Martial Artists for centuries. The Shinjinbukan School follows many principles described in the Gorin no Sho, such as the need to practice all techniques 50 or 100 time, or even 1,000 times. Only after 10,000 accurate repetitions we can appreciate and truly understand one single technique.
See Gorin No Sho
もちかた
mochikata
Glossary Category: Shinjinbukan/System
Lit. How to hold an object such as tools, calligraphy brush, Ohashi (chopsticks), etc. In the Shinjinbukan School, the understanding of mochikata is essential for training with any of the special tools used in traditional Okinawan martial arts. Normally it refers to the way of holding the Chīshi, or other tools like to hammers, sāshi, nigiri game (heavy ceramic jars); or even the bō (staff) or other Kobudō weapons. In the tradition of Okinawa Ti, the term mochikata really means: the ability to hold, lift and control an object of any size, weight or shape by using the most efficient body mechanics. The understanding of mochikata is deeply connected to the use of shiboru. Without this understanding it would not be possible to lift and control any object, tool or weapon using Ti.
See shiboru , chīshi , sāshi
む
mu
Glossary Category: Budō/Philosophy
Lit. Emptiness. This term is used in Zen Buddhism to describe a state of emptiness or nothingness common throughout Japanese arts and culture.
See mushin, mushin no shin , satori , zen , zazen
muchimi
Glossary Category: Shinjinbukan/System
Lit. Sticky movement. Muchimi is a unique quality of authentic Okinawan Karate, by which a heavy sticky feeling is incorporated into any body movement. A classic example is found within the motion of the feet and legs in all three Naifuanchi Katas. Another example is the movement of the arms during Kakie, Iri Kumi and Findi, which use muchimi (stickiness) against the point of contact with the oponent's body.
Muchimi could not be achieved with pure muscle force, nor with any stiffness, nor with muscle tension. On the contrary, muscle relaxation must be maintained at all times. It is almost impossible to learn muchimi without feeling the "muchimi touch" of a qualified intructor. Therefore, it is essential to feel and apply muchimi to any given technique in order to begin to understand the body mechanics of Ti.
むだんしゃ
Mudansha
Glossary Category: Budō/Ranks & Titles
Lit. A person without a grade or dan. In martial arts, it refers to a person holding a junior rank below black belt. These ranks are called kyū, and collectively they are referred as mudansha. All traditional Japanese martial arts use ten junior ranks.
See Kyū, Yūdansha, Dan
むね
mune
Glossary Category: Okinawa Karate Dō/Anatomy
Lit. Chest, bosom, breast, heart, feelings.
むすびだち
musubi dachi
Glossary Category: Okinawa Karate Dō/Tachikata
Lit. Open feet stance. Feet at 90 degrees, heels are together.
むしん
mushin
Glossary Category: Budō/Philosophy
Lit. No thought or emotion, innocent. This term is used in Zen Buddhism to describe a state of mind with no emotions, or no thoughts. This was an integral part of the Samurai way of life, which influenced the development of Japanese Martial Arts.
See mu, mushin no shin, satori, zen, zazen
むしんのしん
mushin no shin
Glossary Category: Budō/Philosophy
Lit. Empty heart. This is a state-of-mind achieved only by highly skilled martial artists after many years of training, in order not be distracted by thoughts or emotions in the midst of danger. During training, Mushin no shin allowed a martial artists to practice techniques thousands of times until repetitions became spontaneous and without conscious hesitation. As a consequence, during combat, a warrior was trained not feel anger, fear and not to be distracted by any thoughts.
See mu, mushin, satori, zen, zazen
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